I have a fear of public performance, especially piano, so I’m much more comfortable playing and experimenting in the privacy of my own studio. Nikitin: I do play some of my own instruments, but I’m certainly not a virtuoso. Do you think this is an important skill in order to be a successful composer? Whenever I hear music from those countries, I get a pang of nostalgia.īlast Magazine: You play many of your own instruments, including guitar and keyboard. I do feel those childhood experiences informed my style. From a young age, I started collecting instruments from my travels, which is something I still love to do. Memories of learning Maori songs and dance are still signed in my brain, which I love. We would go to live concerts to watch traditional music and dance and I learned indigenous songs at school. I also lived in New Zealand, South Africa, and the Far East, and my parents would often play records from those places. My mom is Romanian and my dad is Polish, so I absorbed a lot of Eastern European music at home, especially Romanian folk music, which is very powerful. Do you believe that your travels and immersion into so many unique cultures helped you in finding your own personal music style?Īnne Nikitin: Yes, I do. Her most recent project, American Animals, is set to premiere at this year’s Sundance Film Festival, where it is highly anticipated by festival attendees.Įarlier this week, Blast Magazine spoke with Nikitin about her composition process and musical growth.īlast Magazine: Growing up, you had the opportunity to live in various countries around the world. Nikitin’s work can be heard in various high-profile television series and films, including Locked Up Abroad, Captive, and The Imposter. Since winning the BBC New Talent, New TV Composers scheme in 2006, Anne Nikitin has worked tirelessly to become the award-winning composer she is today.
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